Muling nagkasama-sama ang mga Noaranians sa isang prestihiyosong pagtitipon upang ipagdiwang ang panalo at pagka-nominado ng nag-iisang superstar ng bansang Pilipinas na si Ms. Nora Aunor sa iba-t-ibang film festival at awards giving bodies sa iba't-ibang bansa gayundin sa Pilipinas at nagbigay ng parangal sa kanya bilang 'Best Actress' sa pelikulang 'Thy Womb'. Ang pagtitipon na ito ay isa rin pamamaraan ng pag-aalay ng pasasalamat sa Poong Maykapal na siyang pinagmulan ng talento ni La Aunor at lakas ng mga Noranians. Dumating sa nasabing okasyon ang mga tagahanga at kaibigan ni Ate Guy mula sa iba't-ibang Samahan tulad ng Federation of Nora Aunor, Grand Alliance of Nora Aunor Philippines [GANAP], Nora's Friends Forever [NFF -Grupo sa Facebook] at International Circle of Online Noranians [ICON] sa ilalim ng malaking payong - ang NORANIANS WORLDWIDE. Ginanap ang masayang pagdiriwang sa Kamay Kainan, Kalayaan Ave., Quezon City noong ika-7 ng Abril, 2013.
Tuesday, April 9, 2013
Tuesday, April 2, 2013
Worldwide Petition to Send "Thy Womb" to 2014 Oscars
BY DON ZANDRO
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PLEASE HELP us promote the Campaign. Kindly hit "share" or repost, or tweet and retweet to your colleagues and friends and known big organizations! We need to reach 100,000 signatures! Here is the link to the PETITION page, powered by Causes.com:
PLEASE HELP us promote the Campaign. Kindly hit "share" or repost, or tweet and retweet to your colleagues and friends and known big organizations! We need to reach 100,000 signatures! Here is the link to the PETITION page, powered by Causes.com:
http://t.co/Xo2tSiORnJ
For more information, please visit the Facebook page:
https://www.facebook.com/ThyWombforOscars2014
Thank You!
For more information, please visit the Facebook page:
https://www.facebook.com/ThyWombforOscars2014
Thank You!
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Monday, April 1, 2013
Ms. NORA AUNOR: LIGHT OF CULTURE AWARDEE
LIGHT OF CULTURE AWARDS
By ISAGANI CRUZ
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NORA AUNOR for pioneering in the integration of theater, television, and film.
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Source: http://www.philstar.com/education-and-home/2013/03/21/922192/light-culture-awards
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March is World Theater Month, and March 27 is World Theater Day. Spearheading the worldwide celebration is the International Theatre Institute, the UNESCO World Organization for the Performing Arts.
Last year, Manila was the global launch site of the 50th anniversary of World Theater Day. In her message that year, Irina Bokova, the Director General of UNESCO, said, “Theater has the power to move, inspire, transform and educate in ways that no other art form can. Theater reflects both the extraordinary diversity of cultures and our shared human condition, in all its vulnerability and strength.”
Nobel Prize laureate Dario Fo (who has also been to Manila, by the way) is this year’s writer of the traditional World Theater Day Message. In the message, Fo attributes the decline of theater audiences to an attempt by those in power to silence actors and theater companies. He quotes Saint Carlo Borromeo, who wrote in the 16th century, “Concerned with eradicating the evil weed, we have done our utmost to burn texts containing infamous speeches, to eradicate them from the memory of people, and at the same time to prosecute also those who divulged such texts in print. How far more devastating to the minds of adolescents and young girls is the spoken word and the appropriate gesture, than a dead word printed in books. It is therefore urgent to rid our cities of theater makers, as we do with unwanted souls.”
Fo could actually have chosen a more suitable quote. Then archbishop of Milan, Borromeo excommunicated everyone who watched a play. He believed that theater “substituted illusion for reality, denied temporal space and time, and trafficked in dreams and imaginings.”
The Philippine Centre of the International Theatre Institute and the ITI-Earthsavers UNESCO Dream Center are taking the lead in celebrating World Theater Month in our country. Among several projects ongoing is a World Theater Festival on Radio, aired over Radyo Balintataw on DZRH on weekdays.
A highlight of the Philippine celebration is the awarding of this year’s Lampara ng Kultura (Light of Culture) Awards. (Since next week is Holy Week, the awards will be given after World Theater Month.) The awards are given annually to individuals and corporations or groups that have helped spread the light of Philippine culture and arts inside and outside the country.
This year’s batch of awardees include:
AIR 21 for sponsoring the first Philippine participation in the Prague Quadrennial on Performance Design and Space, run by the International Organisation for Scenographers, Theatre Architects and Technicians (OISTAT).
PLDT-SMART for assisting global connectivity for the Tri-Continental Intercultural Dialogue on Defying Disasters.
CHOWKING and SAN MIG COFFEE for sponsoring the ITI program of Cultural Caregiving Services for vulnerable groups.
SM for providing venues for arts events, particularly those involving persons with disabilities.
METROBANK for its continuing patronage of arts competitions and arts education.
LISA MACUJA for popularizing ballet, integrating indigenous art forms, and initiating international interactive dance projects.
LEA SALONGA and MONIQUE WILSON for projecting Filipino excellence in acting and singing and lending their popularity for social causes.
NORA AUNOR for pioneering in the integration of theater, television, and film.
JUVENAL SANSO for integrating painting with stage design.
ALBERTO FLORENTINO for excelling in the art of playwriting, particularly in the field of social realism.
DANNY DOLOR for animating culture among various schools groups, primarily Emilio Aguinaldo College Theatre Center.
ROSALINDA OROSA for being the Dean of Culture and Arts Criticism in media.
BOY ABUNDA for theater patronage through media, promotions, and arts communication.
GEORGE YANG for promoting scholarship in the field of music and performing in concerts and theater presentations.
A special International Award is being given this year to the SEOUL INSTITUTE OF THE ARTS, headed by Duk Hyung Yoo, for its collaborative projects with Philippine theater groups.
The selection committee consisted of Vilma Labrador (chair), Cecile Guidote Alvarez, Heherson Alvarez, Fray Paulo Casurao, Tomas Ongoco, Fernando Peña, Frank Rivera, Jose Laderas Santos, and myself.
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Image Source:
https://www.facebook.com/photo.phpfbid=546175815427841&set=a.386687591376665.93981.386035681441856&type=1&theater
https://www.facebook.com/photo.phpfbid=546175815427841&set=a.386687591376665.93981.386035681441856&type=1&theater
Image by: Bernie Placido
Labels:
Awards,
Isagani Cruz,
Light of Culture Awards,
Nora Aunor
Monday, March 25, 2013
THE ONE AND ONLY NORA AUNOR
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Nora Aunor |
By: ISABEL T. ESCODA
opinion.inquirer.net / COMMENTARY
March 25, 2013
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Aren’t we all proud of Nora Aunor? Winning the best-actress prize in the Asian Film Awards in Hong Kong at this late stage of her career is a grand achievement.
Aren’t we now thrilled by her triumph . . .
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Source: http://opinion.inquirer.net/49429/the-one-and-only-nora-aunor
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Aren’t we all proud of Nora Aunor? Winning the best-actress prize in the Asian Film Awards in Hong Kong at this late stage of her career is a grand achievement. But isn’t it sad that the Associated Press reported that the Brillante Mendoza-directed movie “performed poorly in Philippine cinemas,” meaning it couldn’t compete with the likes of “Skyfall” and other Hollywood pap? Doesn’t it bring to mind that saying about the prophet not being honored in his own country?
Now that Nora has been recognized internationally, can we love her once again and forget that she fled to California in a fit of pique those many years ago? Didn’t many of us wonder what had become of her until she surfaced last year and proudly told an interviewer that she had to do her own laundry while living in the United States? Didn’t we commiserate with her then, tsk-tsking about the low living standards in the supposedly great US of A, thankful that in the Philippines, even poor people have lavanderas? Wasn’t it sad to think that our best songstress and most famous actress engaged in such chores even if she surely used a washing machine, like all the poor Americans do? Did she mind the drudgery, or was it okay with her because she may be, at heart, a frugal soul? After all, we fans know that Nora sprang from humble beginnings in Bicol and even worked selling water to passengers on the train from Albay to Manila and back.
Aren’t we now thrilled by her triumph, especially after all the vicissitudes that include broken marriages, much-touted motherhood, exile in America, nasty rumors about a lesbian relationship, the misfortune of losing her angelic voice, then that brush with the law in California when she was nabbed transporting a banned substance? We all breathed a sign of relief when, after that California drug bust, she wasn’t locked up in some brutish Oakland jail but only had to do community service. Didn’t that leave us wondering if she’d had to clean public toilets, sweep slum alleys, or maybe sort garbage from dumpsters for recycling?
And what about those rumors that she’d gone to Japan to have her face fixed and her skin bleached so she’d look glamorous? Did anyone wonder why she couldn’t have had it done by our own perfectly competent plastic surgeons? Or was she wise not to do it in Manila (if indeed she’d had it done) because society at home is one big public address system of yapping backbiters and libelers of all stripes?
We migrant Pinoys are excited to see her film in which she had to go native in the South, play a downtrodden role, and make way for the likes of mestiza sexpot Ms Poe (who goes by the quaint name “Lovi” and once visited her former boyfriend jailed in Hong Kong for transporting drugs). Didn’t we remember Nora’s past films in which she was wonderfully believable in the roles she tackled? Didn’t we marvel at the fact that here was a truly Pinay actress who wasn’t the offspring of a Western father and a local mother, and who had kayumanggi skin and ordinary features? Wasn’t it refreshing not to have to watch pale-skinned, long-nosed, wide-eyed women monopolizing top roles while promoting that perverse mindset about mestizas being more desirable because they looked like cookie-cutter-type Hollywood starlets?
And didn’t Nora’s freshness impress us, not just with her thespian skills but also with that vibrant voice that warmed the hearts of folks living in huts and condos in Manila and in servants’ cubicles in employers’ homes from Saudi to Singapore?
We are now left wondering if Nora will decide to head back to California or if she’ll decide to stay on and help lift our film industry out of its slump. After all, isn’t there some truth in that saying, “You can take the girl out of the country but you can’t take the country out of the girl”?
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Isabel T. Escoda is a freelance journalist based in Hong Kong.
Friday, March 22, 2013
Wednesday, March 20, 2013
NORA AUNOR: GAWAD PASADO BEST ACTRESS
Source: http://www.pep.ph/guide/guide/11649/nora-aunor-gawad-pasado-best-actress-three-actors-tie-for-best-actor-plum-from-academe-based-group
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Tatlong pelikula lamang ang pumasa sa panlasa ng Pampelikulang Samahan ng mga Dalubguro sa hanay ng napakaraming pelikulang kinilatis at pinanood nila noong nakaraang taon.
Ang mga pelikulang ito ay ang El Presidente ng Scenema Concept at Viva Films, Thy Womb ng Centerstage Productions at Bwakaw ng APT Entertainment at October Train Production.
Ang mga pelikulang nabanggit kasama ang pagganap at aspetong teknikal ng mga ito ang pararangalan sa pagdiriwang ng samahan sa kanilang ika-15 taon ng Gawad Pasado. Gaganapin ang awards night sa April 27, 2013 sa ganap na ika-6 ng gabi sa National Teachers College Manila.
Ang El Presidente ay may pinakamaraming awards na napanalunan. Nakakopo ito ng siyam habang pumapangalawa naman ang Thy Womb na may pitong awards. Ang Bwakaw naman ay nakakuha naman ng lima.
Ang 7th Asian Film Awards Best Actress at Best Actor na sina Nora Aunor at Eddie Garcia (ka-tie sina Bembol Roco at Jeorge Estregan Jr) ang mga nagwagi bilang Pinakapasadong Aktres at Aktor ng PASADO ngayong taon para sa kanilang pelikulang Thy Womb at Bwakaw.
Narito ang kabuuang listahan ng mga nanalo at special awards para sa mga PINAKAPASADO SA Taong 2012.
PINAKAPASADONG PELIKULA
El Presidente ________ SCENEMA CONCEPT INTERNATIONAL
Thy Womb ___________ CENTER STAGE PRODUCTION
Bwakaw ____________ APT ENTERTAINMENT/ OCTOBERTRAIN FILMS
PINAKAPASADONG DIREKTOR
Brillante Mendoza (Thy Womb)
PINAKAPASADONG AKTRES
Nora Aunor (Thy Womb)
PINAKAPASADONG AKTOR
Jorge "ER" Estregan (El Presidente)
Eddie Garcia (Bwakaw)
Bembol Roco (Thy Womb)
PINAKAPASADONG KATUWANG NA AKTRES
Lovi Poe (Thy Womb)
PINAKAPASADONG KATUWANG NA AKTOR
Cesar Montano (El Presidente)
Soxy Topacio (Bwakaw)
PINAKAPASADONG SINEMATOGRAPIYA
Carlo Mendoza (El Presidente)
PINAKAPASADONG EDITING
Lawrence Ang (Bwakaw)
PINAKAPASADONG DULANG PAMPELIKULA
Jun Robles Lana (Bwakaw)
PINAKAPASADONG ISTORYA
Henry Burgos (Thy Womb)
PINAKAPASADONG DISENYONG PAMPRODUKSYON
Danny Red, Joel Bilbao (El Presidente)
PINAKAPASADONG PAGLALAPAT NG TUNOG
Albert Michael Idioma, Addiss Tabong (El Presidente)
PINAKAPASADONG MUSIKA
Jesse Lasaten (El Presidente)
PINAKAPASADONG PELIKULA SA PAGGAMIT NG WIKA
Thy Womb
MGA NATATANGING GAWAD NG PASADO SA 2012
PASADO LIFETIME ACHIEVEMENT AWARD
(Dangal ng PASADO) Ms. Susan Roces
PinakaPASADOng Natatanging GURO
Boy Abunda
PinakaPASADOng Pelikula sa Paggamit ng WIKA
Thy Womb
(Center Stage Entertainment Inc)
PinakaPASADOng Dangal ng KABATAAN
Jake Vargas
Barbie Forteza
PinakaPASADOng Huwarang Kabataang Pilipino
Kesz Valdez
GAWAD PASADO SA SERBISYO PUBLIKO
Sen. Lito Lapid
WOMEN'S MONTH CELEBRATION
Ating ipagdiwang ang Buwan ng mga Kababaihan sa pamamagitan ng panonood sa mga pelikula ng batikan at premyadong aktres na si Ms. Nora Aunor. Ang mga pelikulang nakahanay ay nagtataglay ng mga temang may kinalaman sa iba't ibang isyu hinggil sa kasarian.
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Source: http://www.facebook.com/notes/diliman-gender/womens-month-2013-celebration/323110737811975
THE 7th ASIAN FILM AWARDS FOR BEST ACTRESS GOES TO . . . NORA AUNOR!
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NORA AUNOR |
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NORA AUNOR pose with her trophy after being named Best Actress |
NORA AUNOR was declared Best Actress at the 7th Asian Film Awards in Hong Kong on March 18, 2013. Aunor earned her victory with her portrayal of a barren Badjau in THY WOMB.
RELATED ARTICLESSunday, January 27, 2013
THY WOMB, ILANG PALAGAY
By: LOUIE JON A. SANCHEZ
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Ang tahimik ng Thy Womb, halos walang salitaan, at madalas, sa mga natatanging tagpo ng pagdiriwang, o pagkamalay, o pagkamulat, ay ilulunod ang mga ito sa musika.
Hulagway lupa (landscape), hulagway-dagat (seascape) ito, hindi lamang naratibo ng mga karakter–na tatlo lamang naman kung tutusin–kundi ng buong daigdig sa malayong Tawi-tawi na nakababad sa dagat, sa tradisyon, sa kabaguhang unti-unting dumaratal dito, at sa dahas (terorismo, militarisasyon) na natutuhan nang ituring na karaniwan ng mga tagaroon.
Namamangha ako sa paggamit ng “tagaroon” dahil ganoon ang nadama ko sa pagsulyap kina Nora Aunor, Bembol Roco, at Lovi Poe, sampu ng mga gumanap sa ubod-husay na obrang ito ni Brillante Mendoza. Kasaysayan, at ka-saysayan ito ng mga “tagaroong” inilayo sa ating hinagap, malayo sa ating daigdig, halos bukod (other)–o bukod na bukod pa nga–ngunit totoong bahagi rin naman ng ating kinapopookan.
Naisip ko, baka nga tayo pang mga tumitingin, nanonood dito sa lungsod–at “nagmalasakit” panoorin ang pelikulang ito dahil baka hindi na ipalabas sa mga sinehan–ang totoong “tagaroon” o bukod, dahil layong-layo na tayo sa lunang ito ng tahimik bagaman masidhing pakikipagsapalaran.
Hindi ko nais sabihin na isang pelikulang nostalgia ang Thy Womb, bagaman maaari nga ring ituring na ganito ito. Laging matalinghaga ang mga pagbabalik, lalo sa sinapupunan. Ngunit higit sa isang paglalantad ng isang kairalan sa daigdig, na kadalasang ginagawa ng mga dokumentaryo, ang Thy Womb ay isang pelikulang nagbibigay liwanag (at paliwanag na rin) sa mga pagtatayang panlugar (locational discourse) na nakamihasnan natin.
Inilalantad nito kung gaano kakitid, kaliit, ang pandaigdigang bisyon natin bilang Filipino, at niyuyugyog din ang ating mga balangkas at bista (kaya marahil literal na magalaw ang kamera). Hindi ko rin nais banggitin pa ang usapin ng sentro-marhinal sapagkat kahit ang ganitong mga konpigurasyon ay hindi makasasapat sa pagtaya sa ginagawang hulagway-pantao (humanscape) ng pelikulang ito.
Hindi rin isang “it’s more fun in the Philippines” movie ang Thy Womb. Kapanabay ng istoryang nakapaloob dito ang istorya nating lahat na mga Filipino, at makatutulong sa pagkakataon ng pagninilay na ito ang “simultaneity” na binabanggit ni Benedict Anderson. Samantalang naririto tayo, ang mga katotohanang (sa tradisyong realismo, o sosyo-realismo, marahil) inilarawan sa pelikula ay “nangyayari” rin. O nangyayaring hari, wika nga ni Balagtas.
Natapos ng karakter ni Aunor ang paglalala ng banig, at matalinghaga’t mapahiwatig ang animo’y “huling” pagsisiping nila roon ni Roco. May kaniya-kaniyang banig tayo sa Filipinas, ngunit ang mga banig na ito sa huli ay iisa ang binubuo–ang pulo-pulong kabuuang hindi mabuo dahil sa iba’t ibang limitasyon ng lugar, paglulugar, maging ng posisyon at pamumusisyon.
Pagbalik sa diskurso ng “tagaroon”, mahiwagang-mahiwaga sa akin ang laro sa wika ng pelikula: ang pagta-Tagalog (o Filipino) ng mga karakter, at ang pagkalunod ng wikang ito sa wika ng lokal (Badjao ba ito, hindi ko matiyak? Ganyan ako kabukod sa mga wika ng aking bansa). Hindi kaya isa rin ang wika–at ang pambansang wika–sa mga banig na hindi pa natatapos sa paglalala? (Pag-iisipan ko pa ito).
Sa huli, lahat tayo ay “tagaroon” dahil ang mga pagtataya at nakamihasnan sa sinasabing (maka-Kanlurani’t makalungsod na) “sentro” ay dikta at likha sa atin ng maraming kaisipang hindi talaga atin. Kailangan na talagang bumalik sa sinapupunan. Kailangang maging tagaroon, muli at muli.
Friday, January 11, 2013
NEVER SAY GOODBYE
Kapatid stars Nora Aunor and Cesar Montano received major acting recognition during the awarding ceremony of the 38th Metro Manila Film Festival (MMFF 2012) last December 27 at the Meralco Theater. the Superstar was hailed Best Actress for Thy Womb while Cesar Montano bagged the Best Supporting Actor for El Presidente.
Nora Aunor’s latest acting trophy is her eighth Best Actress award at
the MMFF, while Cesar Montano’s is the actor’s fifth from the Festival.
In her acceptance speech, the Superstar shared that her passion for
acting in quality films remains firm, “Kahit lima na lang manonood ng pelikula ko, patuloy pa rin akong gagawa ng makabuluhang pelikula.”
The two Festival winners will join the powerhouse cast of TV5’s coming primetime series “Never Say Goodbye” with Artista Academy winners Vin Abrenica and Sophie Albert, Alice Dixson and Gardo Versoza,
among others. Set against the backdrop of the picturesque mountainous
land of Benguet, the series is considered as TV5’s biggest drama series
for the first quarter of 2013.
Directed by Mac Alejandre, “Never Say Goodbye” is scheduled to premiere on January 28, 2012 on TV5.
Singer-songwriter Ogie Alcasid wrote and lends his voice to sing Ang Aking Puso, which will be the official theme song of TV5’s primetime offering Never Say Goodbye.
Directed by Mac Alejandre, “Never Say Goodbye” is scheduled to premiere on January 28, 2012 on TV5.
Singer-songwriter Ogie Alcasid wrote and lends his voice to sing Ang Aking Puso, which will be the official theme song of TV5’s primetime offering Never Say Goodbye.
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Nora Aunor |
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Cesar Montano |
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Alice Dixson |
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Gardo Versoza |
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Edgar Allan Guzman |
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Sophie Albert and Vin Abrenica |
http://www.facebook.com/NeverSayGoodbyeStarringMsNoraAunor
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